One of my favourite works of literature is William Blake's Songs of Innocence and of Experience. Published in 1789 (Songs of Innocence) and 1794 (Songs of Experience), in the middle of a buzzing period to say the least (the French Revolution, the conflict with the American ex-colonies, the Englightenment, and more importantly for this particular project, the industrial revolution), these poems encapsulate the duplicity of progress, society, human relationships and many other issues which, over 200 years later, are still relevant.
As usual, I made a presentation to show my students:
Although all of them knew about the industrial revolution, as they had recently covered it in History (this is the beauty of inter-disciplinary topics!), none of them had heard of Blake and only a few of them had considered the artistic output inspired by it.
Connecting the 18th Century social issues with the 21st Century was a bit of a revelation for part of the class and triggered a fruitful, improvised class discussion on the effects our lifestyles are having on developing countries. My aim was to focus the issues on childhood, and the impact that adult decisions and actions have on children.
Although writing creatively isn't always received positively by students (most of them wanted to make a short film about this), because of time constraints, it is often the most sensible option. The visual part of this project, in the end, had to be abandoned because of the same reason; if I do this project again, I will certainly try to involve both the History and the Art teachers to fulfil its potential.
You can read the students' stories clicking on the Stories at Base blog.
Thanks for reading this post!
Maite
Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts
Friday, 27 April 2018
Wednesday, 25 April 2018
A Christmas Carol (1º ESO)
Who doesn't like Charles Dickens? There's no doubt of Dickens's significant contribution to world literature, or of the effects some of his works had on popular culture even today. His works are still relevant, still alive, still connect with audiences far and wide, and that is why I thought it was a good idea to get to know him and his works in a little bit of detail.
Not long before Christmas, I asked my 1º ESO students to research the figure of Dickens, as we were going to read an abridged version of A Christmas Carol.
It is important for learners of English to read authentic material, even if it may have simplified language, written for younger native speakers. It gives them a sense of accomplishment, it makes them realise the usefulness of their learning and it also pushes them out of their comfort zone, which usually is to conduct research in their own language and then translate it into English (with varying degrees of success... ).
Their posters were interesting, although some of students limited themselves to copying and pasting text and pictures. The students had to present their posters to the rest of the class, drawing attention to the facts that had surprised them the most.
Not long before Christmas, I asked my 1º ESO students to research the figure of Dickens, as we were going to read an abridged version of A Christmas Carol.
It is important for learners of English to read authentic material, even if it may have simplified language, written for younger native speakers. It gives them a sense of accomplishment, it makes them realise the usefulness of their learning and it also pushes them out of their comfort zone, which usually is to conduct research in their own language and then translate it into English (with varying degrees of success... ).
Their posters were interesting, although some of students limited themselves to copying and pasting text and pictures. The students had to present their posters to the rest of the class, drawing attention to the facts that had surprised them the most.
After reading the simplified version of the story and doing some comprehension activities about it, the students had to design infographs on each of the characters. They also had to present these posters to the rest of the class.
I used a rubric to assess the students:
We rounded up this activity watching the 2009 film version directed by Robert Zemeckis.
In an activity like this, students develop their reading and speaking skills, their digital competence, their cultural awareness and expression, and since they have to work as part of groups, they also develop their social and civic competence and their teamworking skills. It was a great activity which the students really enjoyed.
Thanks for popping in!
Edgar Allan Poe: Short Stories (1º ESO)
The master of horror, the father of detective fiction, the main contributor to the obscure and the macabre... Halloween wouldn't have been completed without Poe. Last year, I got my Advanced students to read The Raven collaboratively. Because of technological glitches, I haven't been able to upload the recording anywhere... so this time I approached the task differently.
It was my 1º ESO students this time. First, we had a look at the following presentation, which I created specifically for this project:
The students were given a calendar to help them plan their work:
Then, we split the class into two groups, and having a close look at the (adapted) text of the two stories, the students began to unleash the performers within and finally... we made two recordings, added pictures and... voilà!
The project was complete.
In a task like this, students learn about literature, read a creative story, practice pronunciation and intonation, and develop their digital competence by putting together an audiovisual product. They also work as part of a team and develop collaborative working skills.
The assessment was done by using this rubric:
As expected, this project involved quite a lot of hard work, but the students really enjoyed it.
Thanks for popping in! See you next time!
It was my 1º ESO students this time. First, we had a look at the following presentation, which I created specifically for this project:
The students were given a calendar to help them plan their work:
Then, we split the class into two groups, and having a close look at the (adapted) text of the two stories, the students began to unleash the performers within and finally... we made two recordings, added pictures and... voilà!
The project was complete.
In a task like this, students learn about literature, read a creative story, practice pronunciation and intonation, and develop their digital competence by putting together an audiovisual product. They also work as part of a team and develop collaborative working skills.
The assessment was done by using this rubric:
As expected, this project involved quite a lot of hard work, but the students really enjoyed it.
Thanks for popping in! See you next time!
Halloween Stories (4º ESO)
Hi all,
This is a bit of a tradition for me now, since it's the third year I have done this activity. As usual, I introduced the topic of Halloween and launched the creative writing task in my 4º of ESO class, which this year are working towards a C1 level. They're a really strong class, with plenty of creativity and language skills to match.
The stories have been published in Stories at Base blog, and you can enjoy them by clicking on the link.
Enjoy!
Maite
This is a bit of a tradition for me now, since it's the third year I have done this activity. As usual, I introduced the topic of Halloween and launched the creative writing task in my 4º of ESO class, which this year are working towards a C1 level. They're a really strong class, with plenty of creativity and language skills to match.
The stories have been published in Stories at Base blog, and you can enjoy them by clicking on the link.
Enjoy!
Maite
Friday, 28 April 2017
Project: reworking classic literature
I love literature, and when you love something, you try to share it... don't you? Back in November, my 1º Bachillerato students worked on Poe's masterpiece The Raven, and the experience was really good. However, I thought it would be good to challenge them a bit more, by asking them to look at classic poets differently and therefore, to consider their works more relatable in spite of the time and cultural distance between, say, Lord Byron and a 17-year-old girl from Madrid.
When I was at university, I managed to change my view of classic poets- from cold, statue-like, unapproachable, venerable figures to warm, human and immediate people with day-to-day problems just like anybody else. I likened them to modern-day artists, and in a way they were. In an era (and a long one!) when the only way to make your works known was by writing them down, the immediacy artists enjoy nowadays,with Twitter accounts and media coverage, was unavailable to them, but that is not to say that poets in the past didn't behave unlike modern-day rockstars and had their quirks, eccentricities and diva moments... not forgetting that the reason why they have gone down in history is because they wrote wonderful poems, in the same way that, say, John Lennon has written wonderful songs and they supersede his personal life.
I digress. I presented my students the following:
The first step, of course, was to try to understand the poems. I didn't dwell in the literary devices, figures of speech or structure more than was strictly necessary- these are English language learners without a huge interest in such things-, so I tried to reach the meaning of the poems by asking the following questions:
- what is the topic of the poem?
- have you experienced something similar?
- have you read/watched/listened to anything similar?
- what sort of situation might have led to this poem being written?
By answering these questions, students had a more direct way to find themselves in the poem, as it were- they found links to their lives (either first-hand experience or witnessed events), and imagined situations which could have inspired the authors to write those lines, or other situations where the content of the poem would apply.
Their imaginations were working and their creative muscle was being exercised. Exactly what I wanted!
I split the students into groups of 4. I gave them a grand total of 5 periods for this. As usual, some of them threw themselves into it while others went through the motions-- but nobody was in their comfort zone.
Have you done anything like this in class? How was it? Please share your experience!
Monday, 6 February 2017
The Raven
I've come to realise that, no matter how old my students are (ahem, ahem...), they always enjoy celebrating foreign holidays such as Halloween. Last October, I decided to humour them, but I had my rules.
1-. They were going to read a poem.
2-. The poem was long.
3-. It had lots of strange words.
4-. I wanted to record their voices reading it.
Their enthusiasm somewhat subdued, I showed them the following video:
Some of them were touched by this point. Most of them, though, still had their suspicions. It was long, it had a lot of long, difficult words, and the subject matter wasn't all that clear. Who was Lenore, anyway?
Printed copy of the poem in our hands, we went almost line by line, focusing on the rhythm and the sounds, just getting used to the cadence and the images conjured up by the extensive use of alliteration, repetition and rhyme. Even those students who still didn't understand the poem were starting to let themselves get carried away by the intricate, elaborate and resounding mechanics of the poem.
OK, then. Death, loss, insanity, obsession... the themes started to fly around in class. Written on the board, bubble diagram covering the white surface. The words started to gain meaning, up until then unclear. Mythological figures became more concrete and significant. Most students were on board and started to make decisions about how they were going to read their lines.
They wanted to read their lines in pairs, so I gave each pair of students two stanzas. We went over difficult words, drawing their attention to internal rhyme so they could predict their pronunciation. Without saying they were turning into actors, the students were interested in the speaker's frame of mind in order to give their performance some substance. And then, the big day arrived.
I used WavePad, a voice-recording app on the iPad, and recorded stanza after stanza. The students felt satisfied after we finished, our 10-minute long recording testament to their efforts, to the journey they had to make to reach the master of horror literature, even if it was only with their fingertips.
When we finished, the general comment was... we should do this more often!
I agreed.
Have you used Poe's masterpiece in class? What was your experience? Let me know in the comments below!
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